Create Something to Fear
Create Something to Fear
Crafting a prequel to a classic horror film like The Omen six decades later is no easy task. Still, Arkasha Stevenson manages to surpass expectations with her directorial debut that focuses on storytelling instead of relying on jump scares. Set in 1971 in Rome, The First Omen centres around the birth of Damien Thorn and the events that lead up to American diplomat Robert Thorn and his wife Kathy receiving the baby Antichrist. We meet Margaret Daino (Nell Tiger Free), a young woman sent to work in a convent with orphaned children including the troubled Carlita (Nicole Sorace), who spends most of her time locked away from the other kids because of her peculiar behaviour. Margaret soon teams up with Father Brennan (Ralph Ineson) in an attempt to solve the mystery behind the number 666 and its connection to Carlita.
Richard Donner’s original film is handled respectably in The First Omen with Damien’s origin story explored in an intriguing way. At times, it may seem like things are going down a predictable path but then we’re thrown unexpected curveballs, in addition to scenes that pay homage to the 1976 film. 70s atmosphere, eye-catching sets, costume design and exceptional art direction all result in a visually delightful experience that transports the viewer into the lore. In addition to the striking cinematography, the demanding performances, especially for Nell Tiger Free in the lead role, make this body horror film a must-watch. She delivers a lengthy pregnancy scene with body contortions that will have your eyes glued to the screen. Although suspense is constructed well, there are times when pacing hinders the story and when scenes could have been tightened. Still, this doesn’t take away from the feeling of impending doom that leads up to the climax.
The First Omen is a satisfying piece of cinema in its own right, while also working as a worthy prequel to the original. It’s a gruesome affair with fantastic performances and an atmosphere that brings you back to that era. Arkasha Stevenson takes on the daunting task of reviving an old classic in a modern way and she succeeds in doing the original Omen justice.
